Artist - George Birge Holler Live Session 1

George Birge's bio on Spotify reads like a mantra for living life exactly how you want to. "Golfin, Grillin, Songwritin and Singin", a simple sentence that sums up the man behind some of the hottest viral tracks this side of the 2020s. 

With 'Beer Beer, Truck Truck' and 'Mind On You', Birge has quickly made a name for himself as a songwriter with a quick whit, a finger on the pulse and a courage to say what he's thinking.

Joining us at The Betsey Trotwood for his first Holler Live Session, Birge is as affable as you'd expect him to be - a natural performer with an easy-going charm that feeds into his music.

"I always struggled writing love songs. I always felt like I couldn't make them my own or they were a little bit too cheesy; I struggled to make them tough enough. When I sat down to write it, I wanted to write a love song but I also wanted to write a song that I felt like was me, and I felt like I finally landed on something".

What he landed on was the album opener to his debut album 

'Forever and A Day'. As a studio recording, it's a slow-burning pop-country take that plenty of established stars would be begging to cut, but in the intimacy of a Holler Live Session, the heavy restlessness that Birge hints at comes much more to the fore, making the track uniquely his own.

"Being we're in the pub with Holler, I figured we'd play a song called 'Whiskey Side'", Birge explains as he introduces his second song. 

"I sat down to write this song and I was thinking about how we all have two sides. We have who we are when we're thinking about what we're saying, trying to be contributing members of society and make our momma's proud, and we have who we are when we take a couple shots of whiskey and say what's really on our mind". 

While we're not suggesting you down a bottle of Beam and really tell Janet in the office what you think of her, we appreciate Birge's candidness and desire to let off a little steam once in a while. While he may be trying to shake off what people expect of him, it feels like we get to see Birge's true colours as a songwriter - a calm self-reflection peppered throughout his work.

"I wrote this song in 2020, when I didn't have a record deal and I was writing songs for other artists" Birge admits when heading into his final song of the session. "I orginally pitched it to Jason Aldean; I got an E-Mail back from his team saying 'don't play this song for anyone else', they wanted to put it on his new record". 

"At the time, that was the biggest thing to ever happen to me". Birge continues "Fast forward about six months, I put some of my own songs on social media and they blew up. I got a record deal and I ended up getting this song back and getting to put it out with my own name on it".

The song is his aforementioned biggest hit to date and the title track of his debut album, 'Mind On You'. A late night drive full of burning desire, Birge channels all of the passion and intensity of the recorded version into this simmering performance, while still delivering it with the cool nonchalant of an artist in his element.

Holler presents George Birge for the Holler Live Sessions, performing his songs 'Forever and A Day', 'Whiskey Side' and 'Mind On You'.

Holler Live Sessions: George Birge

George Birge 'Mind On You' Video - Holler Live Session

Ross

Editor - Ross Jones

Drake

Artist - Drake Milligan

In the last couple of years, a wave of exciting neo-traditional acts have emerged, bringing them with an arsenal of sure-fire hits that have country fans square-dancing over some Miller High Lifes till the mornin' breaks.

At the forefront is a certain gentleman by the name of Mr Drake Milligan. He's bringing this honky tonk strain of neo-traditional country to the forefront of the genre, delivering standout records and getting live crowds dancing across various festivals and headline dates.

The 25-year-old Texan has become famed for his delectable mix of Elvis and Roy Orbison charm and Garth and George country sensibility, which has coalesced into his straight banger of a debut double album, 

With not a single misstep in sight, Milligan has ventured across the pond for his first Holler Live Session, delivering some of his biggest hits to date in a stripped-back setting.

Kicking off with album highlight 'Kiss Goodbye All Night', Milligan's love drunk lyricism goes down like honey when paired with a Strait country-esque melody like this. The syrupy sentiment of the lyricism is laminated with a natural cool, Milligan shuffling side to side on his stool as he sinks into the performance.

'This song was really inspired by some of my heroes like Elvis, Roy Orbison and some of that music from the '50s". Milligan explains as he introduces his his second song, 'Don't Look Down'. 

A slow-burning pirouette that wouldn't be lost in Midland's discography, it's an endearing love song that twirls in the very moment; evoking the excitement and nervousness of the first sparks of love as two lovers touch on the dance floor for the first time.

Closing out with the barnstorming 'Sounds Like Something I'd Do', Milligan cements just why everyones getting caught up in a tizzy about this exciting young artist. The song is an unadulterated bop - straight from the late 80s country school of boot-scootin' harmony. It warrants the celebratory whoops from those in the attendance, and certainly from you watching at home.

Performing his songs 'Kiss Goodbye All Night', 'Don't Look Down' and 'Sounds Like Something I'd Do', this is Drake Milligan for the Holler Live Sessions.

Holler presents Drake Milligan for the Holler Live Sessions, performing his songs 'Don't Look Down', 'Kiss Goodbye All Night' and 'Sounds Like Something I'd Do'.

Holler Live Sessions: Drake Milligan 

Milligan is leading a pack of exciting, neo-traditional honky tonkers that are grooving country up once more.

Drake Milligan 'Sounds Like Something I'd Do' Video - Holler Live Session

Artist - Caylee Hammack 1

Everything Caylee Hammack has released since she dropped her debut album, 

, back in 2020 can be described with one word - fire.

Her recent singles, the conceptually aligned 'All or Nothing' and 'History of Repeating', flicker and glow with impulsive notions - whether it's in giving yourself completely to situations or giving in to your vices and bad decisions, whatever Hammack touches turns to gold.

Ahead of her UK tour with Tenille Arts and her appearance at The Long Road, Hammack joins Holler to record her first Holler Live Session, from the heart of London in the Betsey Trotwood pub.

"Now, I've got a new song that I really want to play you. It's not out just yet but I think you're going to enjoy it", Caylee begins as she introduces her first song, the unreleased 'Only Good Things'. 

"I wrote it during 2020, in a year that a lot of bad things were happening to a lot of people" she continues, "I believe that we get to manifest stuff through the songs we write and the things that we sing, and words have power. So, hopefully this song will bring y'all only good things".

Hammack is a born entertainer - she has this Dolly-esque ability to welcome you in with a self-effacing joke and a nudging wink before hitting you with the hard truth. "Now I'll preface to this song", Hammack notions mid-way through performing, "just to let you know, as this song isn't out yet, with my southern accent sometimes things get mis-translated". "I'm not saying crack pipe", she points and jests, "I'm saying 

Closing with 'All Or Nothing', Hammack brings that fire to the Betsey Trotwood for this acoustic performance. A scorching take, even in the stripped-back setting, Hammack's voice burns with determination and desire, delivering an anthem about going hard or going home when it comes to love. 

A consummate performer and ardent songwriter, Caylee Hammack has all the qualities of a star in the making.

Performing her songs 'Only Good Things' and 'All Or Nothing', this is Caylee Hammack for the Holler Live Sessions.

Holler presents Caylee Hammack, performing her songs 'Only Good Things' and 'All Or Nothing', for the Holler Live Sessions at The Betsey Trotwood pub in London, UK.

Holler Live Sessions: Caylee Hammack

Holler Live Sessions: Caylee Hammack Videos | Holler

Artist - Haley Mae Campbell Holler Live Sessions 1

Your twenties are a time in your life that feels ripe for writing songs about. It's when you sort of start working out who you are and what you want to be, while tripping and stumbling in and out of bars and love in the process. Haley Mae Campbell is the sort of songwriter who can distill those years of recollection and learning into 3-minute country songs we love to bop to; letting us look fondly on who we've become in the process.

"We're going to play you guys a song about falling in love" Campbell declares simply when introducing the first of her songs, 'Never Been In Love'. Alongside her guitarist and now husband, Zachary Manno, the duo slink in to the 

esque rhythm, the endearing nature of the song immediately permeating through Campbell's lyricism.

'Smoke It' takes a different tack, picking up a thick, swampy riff and stirring it into a carefree reverie about not lowering yourself to small town tittle-tattle and living your life for a change. It's a witty little song with a lot of heart, with Campbell sings "They're looking for a silver lining / I'm just looking for a damn good time / Some people like to rock the boat / But I'm just out here floating".

Closing out with the title track of her most recent EP, '20Something' perhaps encapsulates Campbell's songwriting best, an innocent and aspirational nod to living for each of life's hurdles and making some dang good memories along the way.

Haley Mae Campbell's music is exuberant and sprightly, asigns of artist loving every minute of the opportunity presented to her. If you need someone to pick you up, dust you off and remind you this is all part of the plan, you'll find it hard to uncover someone better than Haley. 

Performing her songs 'Never Been In Love', 'Smoke It' and '20Something', this is Haley Mae Campbell for the Holler Live Sessions.

Holler presents Haley Mae Campbell, performing her songs 'Never Been In Love', 'Smoke It' and '20Something' for the Holler Live Sessions at The Betsey Trotwood pub in London, UK.

Holler Live Sessions: Haley Mae Campbell

Haley Mae Campbell brings the "damn good time" to the Betsey Trotwood pub for Holler.

Holler Live Sessions: Haley Mae Campbell Videos | Holler

Artist - Tyler Braden Holler Live Sessions 1

With his recent output, Tyler Braden has been exploring the rockier side of his dynamic country sound. With the release of his latest EP, the Alabama native has turn the amp up once more, revelling in the poignant, meaty subject matter of his songwriting.

Breaking into the drop-D inflection of his recent EP's title track, 'Neon Grave' bristles and burns under the gritty tenaciousness of Braden's vocal. With a brazen desire to be laid to rest in the bar where the angels have whiskey on their wings, it's an thundering dedication to the place where tallboys are in fine supply and the bottom of the bottle is never found. 

For a song that could deafen a stadium when played with his full band, 'Neon Grave' surprisingly thrives in the stripped-back setting of the Holler Live Session. It's all down to Braden's delivery - sharp, intense and unembellished in his near growl.

With such power and fervour to his delivery, it's positively captivating when Braden delivers a song of such tenderness and sentiment as 'Friends'. The longing pours out of him, as he yearns for the one he loves to see they can't ignore what they feel for each other. 

What's particularly charming about the song is Braden's lyricism - sharing ingrained memories of expressing love through present and understated moments; "as if i've never seen you crawl across my bed / like I Love You is something we ain't ever said".

"This was my very first song to go to country radio in the States" Braden explains as he introduces his final song. "I hear they are playing it a lot on the radio here in the UK too, I'm super excited about this one". 

That song is 'Try Losing One', perhaps Braden's most emotionally-weighted and certainly his biggest hit to date. It's a heart-wrenching performance, Braden building to exasperation as he warns you of the pain and isolation of losing the one you love. 

"Try staring at the wall, pouring whiskey out / Try living with knowing that you let her down" Braden sings, the unfaltering severity of his delivery both striking and thought-provoking.

As with his contemporaries Nate Smith and Kameron Marlowe, Tyler Braden delivers heartbreak and emotional tribulation with such resolve that you can't help be carried and stirred by the weight of his words.

Performing his songs 'Neon Grave', 'Friends' and 'Try Losing One' this is Tyer Braden for the Holler Live Sessions.

Holler presents Tyler Braden, performing his songs 'Neon Grave', 'Friends' and 'Try Losing One' for the Holler Live Sessions at The Betsey Trotwood pub in London, UK.

Holler Live Sessions: Tyler Braden

Holler Live Sessions: Tyler Braden Videos | Holler

Artist - Sam Williams Holler Live Sessions 1

, Sam Williams was able to introduce himself properly to a country music world who were already aware of who he was. 

As son of Hank Williams Jr, and Grandson of Hank, Williams set out to leave an artistic mark all of his own, in doing so unveiling an earnest and impassioned songwriter who unquestionably wears his heart on his sleeve.

As Williams heads down the path to find what's next in his career, it feels like a pertinent time to close the 

 chapter with an intimate Holler Live Session, recorded acoustically with his guitarist and friend Lenny. 

"We're going to sing a song about lying to the ones you love" Williams explains as he introduces his first track, 'Can't Fool Your Own Blood'. A heavy, moving song he wrote with Jaimee Harris and Mary Gauthier, Williams floats on the waves of emotion that ripple from his rasping vocal, not afraid to sit with the bruises of the subject. 

Taking away the atmospheric spaciousness of the studio recording, Williams' performance is grittier yet more spirited - somehow delving further down in the depths of the hurt to seek the light at the end of the tunnel.

Closing with the intense isolation of 'The World: Alone', the vivid imagery Williams' paints in his lyricism is even more focused and sharper edged here. The exasperation in his delivery as he sings provokes both the agony and anger you feel as you process losing someone; "Serotonin moving slow 'cause I'm traveling solo" Williams observes, a candid self-examination that shows the therapeutic power opening up has for both listener and writer.

A sincere and self-aware songwriter, with his Holler Live Session Sam Williams shows he is one of country's most forthright artists.

Performing his songs 'Can't Fool Your Own Blood' and 'The World: Alone', this is Sam Williams for the Holler Live Sessions.

Holler presents Sam Williams, performing his songs 'Can't Fool Your Own Blood' and 'The World: Alone' for the Holler Live Sessions at The Betsey Trotwood pub in London, UK.

Holler Live Sessions: Sam Williams

Holler Live Sessions: Sam Williams Videos | Holler

Artist - Hannah Ellis Holler Live Sessions 1

Recently, Hannah Ellis has found that one of her lyrics has evolved into a bit of an empowering affirmation, not only for her but her fans. “I put the boujie in the backroads” she declares on her recent single ‘Wine Country’.

It’s a suitable turn of phrase for the Campbellsville, Kentucky-born artist, whose songwriting treads a tightrope between embracing her down home roots and a smooth, country-pop sheen.

Much like her contemporaries Hailey Whitters and Haley Mae Campbell, she does this with warmth and openness, no doubt a personal trait that she imbues into her music to welcome us into her world.

“Even though I’m a bougie little wine girl these days, I was born in Kentucky, and you can’t change that”, Ellis explains with a cheeky grin as her guitarist and husband Nick Wayne cranks up the swampy, honky-tonk riff that introduces her performance. 

A song about enjoying the finer things in life while not forgetting where you come from, it’s an assured and defiant write, one that Ellis’ voice thrives on, even in a more stripped back setting.

“So I was walking into a write one day with some friends of mine and right before that, my little sister called me” Ellis continues, introducing her second song, ‘Someone Else’s Heartbreak’. 

“Her boyfriend of her two years had broken up with her. As her big sister, I really wanted to write a song that was like ‘you’re better off, this guy doesn’t even deserve you’. But, then I remembered when I was on the receiving end of heartbreak, and truth and logic were not exactly what I wanted in that moment, so that’s why I wrote this song”.

‘Someone Else’s Heartbreak’ is a deeply empathetic ballad that embodies the very raw and confusing feelings you have in your chest in the knotty, vulnerable moments right after a break-up. For such a sensitive and emotionally intense song, it’s undeniably catchy; making for an even more approachable and comforting performance.

Ellis’ final song, ‘Country Can’, reminds us all of the positive power of the genre that gave us two chords and a truth, at a time when divisiveness and discord brews at its very heart. “I’m sitting here, at a pub in London; that’s just proof to the point of this song".

"Country music brings us together like nothing else can. I usually tell this story and say that it’s ‘red dirt to west coast sand’, but we’re all the way across the pond singing country music, and I don’t think this song needs more of an explanation than that".

It's a gratifying song, one that pays tribute to the genre that’s given her and so many of us so much, while bringing us all together in the true spirit of music and compassion. It helps that it’s a big ol’ singalong – Ellis and Wayne harmonising at the top of their voices for the elate chorus.

Hannah Ellis is a fireball, an artist full of charisma, heart and a pair of lungs to match. If we need someone with a bit of class to bring us back to ground and help us find ourselves again, you won’t find many better songwriters than her.

Performing her songs ‘Wine Country’, ‘Someone Else’s Heartbreak’ and ‘Country Can’, this is Hannah Ellis for the Holler Live Sessions.

Holler presents Hannah Ellis, performing her songs 'Wine Country', 'Someone Else's Heartbreak' and 'Country Can' for the Holler Live Sessions at The Betsey Trotwood pub in London, UK.

Holler Live Sessions: Hannah Ellis

If we need someone with a bit of class to bring us back to ground and help us find ourselves again, there aren't many better artists than Hannah Ellis.

Holler Live Sessions: Hannah Ellis Videos | Holler

Artist - Wayne Graham 1

"This is our home base" explains drummer and vocalist Hayden Miles, as he introduces his band Wayne Graham during the first song of their Holler Railbird Session. Setting up in the room above the slot machines at Red Mile racecourse in Lexington, Kentucky, the group settle in as the Saturday evening sun sets, a surprisingly suitable environment for their easy Appalachian listening.

The vivid pictures the four-piece band paint, not only with their music but even with the story behind the name of the band, make them an inventive and approachable outfit. They ponder over life and the many characters you stumble upon, not necessarily possessing all the answers to the hurdles you'll face but, in their own gentle way, guide you along as they work it out themselves. 

"This is about recognising that some days are harder than others" explains Hayden Miles. "Everybody has a bad day sometimes and it's just something you have to deal with in this life. But, everything's going to be ok". Noodling over some bright-eyed harmonies like CSNY at their most observant and empathetic, the band evoke a softer, more emotionally-endearing nature when performing acoustically than in their versatile live set, adding another layer to their already chameleonic expression as a group.

Taking over vocal duties, Hayden's brother Kenny delves into the brit-pysch-esque sensibility of 'Mr Green Thumb', a sparse and mysterious ditty about a nefarious character we don't quite get to know. Nevertheless, the performance is spritely and inventive; the band finding a neat balance between catchy subtlety and knotty experimentation.

"I wrote this song for a very good friend of ours, Mike Hall" Kenny reveals as he introduces their final song, 'Wooden Frames'. Playing out the opening of the song alone on his acoustic guitar, Kenny sounds like a wandering stranger, ruminating on the suffering he's caused to someone close and asking himself why he's done so. The symbiosis the band share together in the instrumental moments summons as much emotion as their lyricism, the weight of the dwelling middle-eights leaving room for consideration of those we've hurt in our lives.

Spending some time with Wayne Graham and their poignant yet imaginative music offers you a little space to gather your thoughts and find some clarity, perhaps even a little inspiration too.

Performing their songs 'Some Days', 'Mr Green Thumb' and 'Wooden Frames', this is Wayne Graham for the Holler Railbird Sessions.

Holler Presents Wayne Graham for the Holler Railbird Sessions, performing their songs 'Some Days', 'Mr Green Thumb' and 'Wooden Frames'.

Holler Railbird Sessions: Wayne Graham

Holler Railbird Sessions

Ashley

Artist - Ashley Cooke Holler Live Sessions 1

From four simple words, you can gage a lot of what Ashley Cooke stands for and what she is trying to achieve with her artistry. 

is an unknowing yet hopeful title to give your debut album; one that embodies a songwriter who is brazen and self-exposing, leaving every emotion on the page through intelligent quips and catchy couplets.

Even with this in mind, no one can say they truly expected her to drop a 24-track double album as her first foray into the format. But what an album it is - a finite collection of heartfelt ballads and gratifyingly relatable pay-offs that immediately cements Cooke as a one of the genre's most engaging new acts, alongside the Moroney's, Springsteen's and Watkins' of the world. 

"This first song is kind of about what it's like to date me. It's not weird!" Cooke laughs, ribbing with her guitarist and buddy Louis Johnson as they lead into the catchy yet affirming country-pop song 'getting into'. Immediately, Cooke's sharp banter and unreserved nature comes to the fore, suiting the resilient and memorable essence of the song; 

"I can burn it down, be a London pub closer / Sunday sittin' in a pew hungover" Cooke jokes as she sings, unburdened by ideas of who others expect her to be.

"I wrote this next song about the kind of love I hope to be in at some point. It's kind of a manifestation for the kind of love I want". First releasing the song independently, Cooke shared 'never til now' on social media, finding support from none other than Brett Young, who would go on to duet with her on the latest studio version of the song. 

"This is just the Ashley version", Cooke laughs once again, "imagine Brett being a part of this too". The most telling thing of all as Cooke performs is the joy she takes in these moments; she gleams from ear to ear as she sings what is a deeply intimate love song about the future.

"I had the craziest year of my life last year" Cooke explains as she introduces her final song. "I signed my first record deal, my first publishing deal, i went out on tour with Cole Swindell and Luke Bryan, my life was insane. I wrote this song kind of like a journal entry to music". 

 is summed up by any song, it's this - an artist striving to make sense of a world they've been thrust into, and loving every second of the journey it's taking them on. 

Cooke is one of mainstream country's finest new artists, and from a tiny pub in London, UK, she stakes her claim to stay.

Performing her songs 'getting into', 'never til now' and 'it's been a year', this is Ashley Cooke for the Holler Live Sessions.

Holler presents Ashley Cooke, performing her songs 'getting into', 'never til now' and 'it's been a year' for the Holler Live Sessions at The Betsey Trotwood pub in London, UK.

Holler Live Sessions: Ashley Cooke

Holler Live Sessions: Ashley Cooke Videos | Holler

Artist - Brit Taylor 3

Brit Taylor is a vision in blue when she arrives for her Holler Railbird Session in Lexington, Kentucky. It's a fitting look, too, her floating aquamarine dress celebrating what feels like a full-circle moment of sorts. 

Released in February, Taylor's sophomore album 

sees her reflecting back on all the things she's learnt on her journey to becoming the artist and person she is today. It's a determined record, one that offers tastes of bluegrass, vintage country and a little rock-inspired honky tonk for good measure. 

The title track begins her session set in a delicate and wistful manner. "I've been Texas tired, I've been New York wired, I've been Louisiana lonesome too. I've been Colorado high and I wish I was tonight, but I'm just Kentucky blue", she sings, her husband Adam Chaffins offering beautiful harmonies and some acoustic guitar backing. 

'Cabin in the Woods' follows, picking up the tempo. "We live in a little cabin outside of Nashville, Tennesee with five pygmy goats all named after country music stars", Taylor shares happily. "And what else we got? We got donkeys, cats, chickens, the whole nine yards. So this is a song about our little cabin in the woods". It’s a foot-stompin’, hillbilly revival about loving the simple things in life and having friends along for the ride.

The set closes with 'Rich Little Girls', a song that addresses the lavish lifestyle more fortunate women are able to lead - "Clink clink they drink champagne / Another hundred dollars ain't no thing". It's self-affirming though, as she states, "Well everybody plays with the cards they're dealt / Everybody's gotta work it out for their self / But I wouldn't wanna be anybody else but a working girl". 

Brit Taylor's songs are those of someone fun, free and wise, delivered with effortless grace and touch of joyful attitude. If 

 was anything to go by, then we felt assured we'd be getting plenty more from Brit Taylor, but this Holler Railbird Session confirmed that for us beyond doubt. 

Performing 'Kentucky Blue', 'Cabin in the Woods' and 'Rich Little Girls', this is Brit Taylor for the Holler Railbird Sessions. 

Holler presents Brit Taylor, performing her songs 'Kentucky Blue', 'Cabin in the Woods' and 'Rich Little Girls' for the Holler Railbird Sessions at Railbird Festival 2023 in Lexington, Kentucky. 


Holler Railbird Sessions: Brit Taylor

Holler Railbird Sessions: Brit Taylor Videos | Holler

Ciara

Ciara with Charley Crockett

Artist - Jillian Jacqueline Holler Live Sessions 1

, Jillian Jacqueline closed out another chapter in her already storied life. The album represented not only a maturation in sound for the Pennsylvanian singer-songwriter, but was a representation of creating something on her own terms, something she has always seemed to hold dear throughout her career.

Joining Holler at The Betsey Trotwood pub for her Holler Live Session, Jacqueline performs solo, stripping back the heartrending production of the record to somehow deliver something even more raw and sincere than on an album called 

Jillian's music is like a warm embrace when you're feeling unsure of yourself. She doesn't have all the answers, and knows she won't too, but is happy in working it out as we all go. "I wrote this song after I met my husband" She begins as she introduces her first track. "I wanted to express the idea that there's really not a lot that makes sense in the world, until you find that one person that you want to spend your life with". 

'Sure', with all it's unanswered questions and wonderings on why the world turns the way it does, is a beautiful perception of acceptance in the unknown, Jacqueline's soft, pondering voice echoing the strength of a commanding pop singer, even in her lowest of whispers.

"I wrote this next song about anxiety, actually", Jacqueline continues. "It's about what it's like when you've gone through many many years of dealing with it and being so driven by it that it causes you to run away from a lot of the people that you love and are just trying to help you". 

The weighty, sweeping production that embellishes the studio recording of 'Hummingbird' is washed away for her performance here, leaving the jewels of her moving lyricism to process and seek reassurance from. "I hate to be alone, but I'd rather be alone" Jacqueline immediately begins, so succinctly capturing the disquiet feelings so many of us have felt.

Closing with the frank 'Hurt Somebody Else', Jacqueline turns the familiar trope of heartbreak on it's head, an open admittance of the hurt that comes from breaking someone's heart; "I had to leave somebody that is a really good person and didn't deserve to have their heart broken. The person that does the breaking doesn't always get that much sympathy because you're the bad guy, so this is coming from that perspective".

A tough pill to swallow, Jacqueline isn't asking for sympathy; she isn't going to hide the pain and hurt that fills her in causing someone's suffering. It's unshielded and exposing, and some of her finest songwriting to date.

Performing her songs 'Sure', 'Hummingbird' and 'Hurt Somebody Else', this is Jillian Jacqueline for the Holler Live Sessions.

Holler presents Jillian Jacqueline for the Holler Live Sessions, performing her songs 'Sure', 'Hummingbird' and 'Hurt Somebody Else'.

Holler Live Sessions: Jillian Jacqueline

Joining Holler at The Betsey Trotwood pub for her Holler Live Session, Jacqueline performs solo, stripping back the heartrending production of her record to somehow deliver something even more raw and sincere than on an album called 

Holler Live Sessions: Jillian Jacqueline Videos | Holler

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