Artist - Alex Lambert Holler Nashville Session 1

Alex Lambert - 'I Think I'm In Love' | Holler Nashville Sessions Presented by George Dickel

"I'm Alex Lambert from Forth Worth, Texas".

A songwriter at heart, Alex Lambert has arrived in Nashville ready to spread his wings. Growing up on a healthy diet of country and soul, the Texan will leave you stunned the second he opens his mouth, releasing one of the most powerful yet emotionally intricate voices in all of Music City.

Sporting a vintage Opryland cap and a guitar that weeps, Lambert delivers one of our favourite sessions to date - a beautifully soulful and comforting experience.

Alex Lambert - 'Durango' | Holler Nashville Sessions Presented by George Dickel

With 'I Think I'm In Love', Lambert captures that sort of love that makes your heart want to burst, but you need to recognise and appreciate it for what it is first. Lambert's voice embodies this, climbing towards a crescendo as if he wants to bellow it from the rooftops. 

The soulful, fingerpicked acoustic is the sweet and playful accompaniment the song needs - encompassing the jittery butterflies you get at the thought of the one you love.

The title 'Durango' hints at evocative images of romantic memories in Colorado, but in reality, the song captures heartbreak and yearning at the centre of a quiet night in the fields. In the blur of recollections and wishing his love was still around, Lambert lowers his shield and bawls through the chorus, his voice a tender, vulnerable projection.

Closing with his hot-streaming hit, 'Cryin In The Rain', Lambert offers up his slick, fervent take on the blues. It's a weighty yet amorous take, Lambert recognising there's no point in wallowing in the lows, as he'll still feel the same about his love when the storms clear.

A rising star with a voice that'll silence any room, Lambert is so much more than just one to watch. 

Alex Lambert - 'Cryin In The Rain' | Holler Nashville Sessions Presented by George Dickel

For more Holler Nashville Sessions, see below:

George Dickel presents Alex Lambert for the Holler Nashville Sessions, performing his songs 'I Think I'm In Love', 'Durango' and 'Cryin In The Rain'.

Holler Nashville Sessions Presented by George Dickel: Alex Lambert

The country-soul singer joins George Dickel for a stunning first Holler Nashville Session.

Alex Lambert - 'Cryin In The Rain' | Holler Nashville Sessions

Ross

Author - Ross Jones 2

Artist - Harper O'Neill Holler Nashville Session 1

Harper O'Neill - 'Guilty' | Holler Nashville Sessions Presented by George Dickel

There's a general rule of thumb when it comes to playing the support slot at a particular venue in London, UK. If you open the stage at The Apollo and manage to stun the crowd into silence, you've got something special. In this writer's experience, that has only ever happened once, and it was managed by the very artist you've come here to witness today.

Harper O'Neill possesses that something special. A Texan living in Tennessee with the talent requisite of both, O'Neill writes some of the most arresting songs in country music and has a striking, profound voice with which to deliver them.

So when it came time for O'Neill to record her first Holler Nashville Session, within the quaint confines of the George Dickel bar, we knew it was going to be one we wouldn't forget. 

Harper O'Neill - 'Bottom Line' | Holler Nashville Sessions Presented by George Dickel

"This song is called 'Guilty', and it's for the lovers," O'Neill declares affectionately when introducing her first take. A stunning admission of yearning and acceptance in loving someone, O'Neill layers her booming, dexterous voice across a soulful acoustic bounce. It's bold, freeing and romantic in the most joyous of ways, and a beautiful start to the session.

"It's about losing someone and not really understanding how you lost them," O'Neill explains before playing her second song, 'Bottom Line'. It's a startling piece, O'Neill leaving every exasperated feeling of pain and emotion in the song. It's a fearless and utterly moving performance.

"'I'm Not Her' is about changing yourself when you get left behind". Perhaps O'Neill's most poignant and evocative song to date, 'I'm Not Her' captures a distinctly painful yet necessary process we all go through when love comes to an end, changing the person we are to find ourselves once more. O'Neill's piercing lyricism is only made sharper by her vocal delivery, which in the close space of the session sounds absolutely thundering.

A stunning session, Harper O'Neill proves why she's one of the most powerful and significant artists coming out of Music City today.

Harper O'Neill - 'I'm Not Her' | Holler Nashville Sessions Presented by George Dickel

George Dickel presents Harper O'Neill for the Holler Nashville Sessions, performing her songs 'Guilty', 'Bottom Line' and 'I'm Not Her'.

Holler Nashville Sessions Presented by George Dickel: Harper O'Neill

The Texas country-soul rising star takes to the George Dickel bar for her first Holler Nashville Session.

Artist - Reid Haughton Holler Nashville Sessions 1

Reid Haughton - 'Man Made Money' | Holler Nashville Sessions Presented by George Dickel

Up north of the Alabama pines, a new firecracker has been setting fire to everything in his path. Reid Haughton, the spiritual son of Bocephus and 

 era Stones, has fuelled our 2024 with his distinct brand of country-inflected rock n roll.

This year, Haughton released his debut album 

, a rip-roaring combination of 70s southern rock and Alabama soul that coalesced everything he'd made up until that point into a mature and highly satisfying whole.

It's from the record that Haughton delves for his first Holler Nashville Session, offering some slick, soulful takes of three of our absolute highlights from the album.

Reid Haughton - 'Mendoza Line' | Holler Nashville Sessions Presented by George Dickel

It's always a pleasure to hear a band or artist strip back their sound, revealing something previously unearthed from deep within their soul. With Haughton, that lies both in the creative playfulness of his guitar playing and the effortless catchiness of the songs themselves.

Where 'Man Made Money' revels in the dirt and smoke it leaves in its wake on record, during the session, it sits back and revels in its coolness - sipping on hard liquor and spitting out tobacco in it's Chief-esque sharpness. Haughton's vocal reaches even more pleasing heights live, and here, within the intimacy of an acoustic session, it thrives.

'Mendoza Line' rings with buoyant clarity, picking up the pace as Haughton hits the road and doesn't look back. This version is a breezy road song just ripe for sunset, willing you to chuck your cares away and hit the road no matter how much it costs you.

Closing out with the album's final track, 'The Crow' fits perfectly into the solitude of the live session. What starts out as a fiery diatribe at other people's judgement and expectation, it subtly develops into a existential and thought-provoking song about contentment and aspirations, with a thorough-line of desire weaved into its very core.

An all encompassing session, Reid Haughton proves why he's one of the finest new songwriters in country, rock and soul.

Reid Haughton - 'The Crow' | Holler Nashville Sessions Presented by George Dickel

George Dickel presents Reid Haughton for the Holler Nashville Sessions, performing his songs 'Made Made Money', 'Mendoza Line' and 'The Crow'.

Holler Nashville Sessions Presented by George Dickel: Reid Haughton 

The 'Man Made Money' singer joins George Dickel for the Holler Nashville Sessions.

Reid Haughton - 'Made Made Money' | Holler Nashville Sessions Presented by George Dickel

Artist - Hannah Dasher - Holler Nashville Sessions Presented by George Dickel 1

Hannah Dasher - 'Cryin' All The Way To The Bank' | Holler Nashville Sessions Presented by George Dickel

When it comes to the countless figures in modern country music, few can marry humor and heartfelt lyrics like Hannah Dasher. One of the most intriguing artists to surface in recent years, Dasher has made quite the name for herself on TikTok and beyond as she cooks up killer recipes and bonafide hits in equal measure.

With over 1.5 million followers on the platform alone, the larger-than-life entertainer dished out her debut record, 

, in late 2023, demonstrating her smart as a whip pen and clever turns of phrase that stack up with the best of them.

Making her way to the Holler Nashville Sessions Presented by George Dickel, the singer-songwriter, donning a stunningly patriotic red, white and blue fit, kicked things off with the tongue-in-cheek 'Crying All The Way To The Bank'. Finding the joy in heartbreak as she catches her betrothed with another woman, Dasher cashes in her half of the assets and finds that maybe you can take "

Hannah Dasher - 'Redneck Ass' | Holler Nashville Sessions

Maintaining her spitfire sass, she prefaced her next Holler session by noting: "Here's the classiest song I've ever written," promptly going on to sing the first line of her hell raising, bar brawler, 'Redneck Ass'.

I'm gonna whoop your redneck ass, take you out like a piece of white trash

," she croons into the microphone, eliciting quiet chuckles from everyone in the room as she sings about her bone to pick with a "nasty" girl who was trying to sidle on up to her man. A perfect example of her comedic ability when it comes to her craft, the song also provided a perfect canvas for Dasher to show off some impressive picking skills while also packing quite the lyrical punch.

While undoubtedly not lacking in personality, Dasher is also equally abounding in depth, as shown on her final tune, 'Ugly Houses'. Often requested at her live shows, for obvious reasons, the seasoned tunesmith treated C2C audiences to the song earlier this year in March. The Nashville edition is just as spellbinding, as she compares herself to an ugly house for sale, inviting the Lord to come in and make a home within her soul.

To witness Hannah Dasher is like taking a spin on a crazy country rollercoaster. There will be some ups, probably some downs and maybe a loop-de-loop or two, but no matter what, you're guaranteed to enjoy the ride.

Hannah Dasher - 'Ugly Houses' | Holler Nashville Sessions Presented by George Dickel

George Dickel Presents Hannah Dasher for the Holler Nashville Sessions, performing her songs ‘Cryin’ All The Way To The Bank’, 'Ugly Houses' and ‘Redneck Ass’.

Holler Nashville Sessions Presented by George Dickel: Hannah Dasher

The tongue-in-cheek country darling delivers three rousing performances as part of the Holler Nashville Sessions.

Hannah Dasher - 'Cryin’ All The Way To The Bank' | Holler Nashville Sessions Presented by George Dickel

Lydia

Contributor - Lydia Farthing 2

Contributor - Lydia Farthing

Artist - Zach Top - Holler Nashville Sessions Presented by George Dickel 1

Zach Top - 'I Never Lie' | Holler Nashville Sessions Presented by George Dickel

Unless you've been living under a rock these past six months, you'll be aware of a certain new young buck on the block called Mr Zach Top.

Regularly christened the country artist's artist, Top has quickly established himself as not only a whip-smart and precocious songwriter but a born entertainer, taking crowds by the bootstraps and dancing them around the jukebox in every honky tonk he graces.

So, when it came to launching the Holler Nashville Sessions Presented by George Dickel, we couldn't think of many more suitable to invite than the neo-traditional prince of country from Washington state.

"We'll start with one of my favourites off the record I just released a couple of months ago" Top notions, opening up his first Holler session with his viral hit, 

 "It's kinda sad, but pretty much mostly sarcastic the whole way through. I think that is indicative of my personality too". 

Zach Top - 'Sounds Like The Radio' | Holler Nashville Sessions Presented by George Dickel

It's certainly an evocative expression of not only Top's character, but his songwriting that we've grown to love since he first arrived on the scene. Heartfelt and aspirational yet still grounded and playful in tone, Top layers his jaunty, hook-filled country sound with the clever narrative wordplay of Whitley and Strait, introducing a brand new audience to a style of the genre that can never age.

It's a treat to hear such a bop like 'Sounds Like The Radio' in an acoustic setting. The song loses none of its mischief from being stripped back, Top ripping across his acoustic with bluesy licks as he croons like it's 1994 all over again.

Closing out with album favourite 'Dirt Turns To Gold', the song is a fine example of Top's storytelling ability, the emotional turn as he sings "She said I could get used to this light" enough to bring you to tears of joy.

There aren't many better out there right now than our favourite mustachio'd balladeer, and from the evidence of his Holler Nashville Session, he's gonna be hard to Top.

Zach Top - 'Dirt Turns To Gold' | Holler Nashville Sessions

George Dickel Presents Zach Top for the Holler Nashville Sessions, performing his songs ‘I Never Lie’, 'Sounds Like The Radio' and ‘Dirt Turns to Gold’.

Holler Nashville Sessions Presented by George Dickel: Zach Top

The fast-rising, neo-traditional young buck of country kicks off the Holler Nashville Sessions with three fine songs. 

Artist - Will Worden 1

Will Worden - 'Moonlit' | Holler Dreamy Draw Sessions

Sonic escapism comes in many shapes and forms. Whether you're looking to disappear off into the sunset of a classic cowboy ballad, jet away to the tropical, sandy beaches of a laid-back, Gulf and Western jam or lose yourself in the simpler, rose-tinted times of a retro anthem, we all need a break from reality from time to time. 

Will Worden and his swaggering three-piece band offer up an irresistible example of the latter, with the fast-emerging artist's Holler Dreamy Draw Session capturing the alluringly sepia-tinged ambience Worden constructs throughout his music. 

The slightly distorted shadows cast by the ethereal lighting, coupled with the 70s-inspired furniture and attire, the setting accentuates the otherworldly feel of the set. 

Launching into one of his only two released songs, ‘Moonlit’, the sauntering bass coalesces with Will Worden's rugged, charismatic vocals to produce a bluesy toe-tapper.

While the deliberate, slow-burning ‘Moonlit’ leaves the instrumentation room to breathe, ‘One Foot Out the Door’ showcases a completely different side to Worden's artistry. His commanding delivery floats jauntily across the lively, uptempo accompaniment, with each band-member lacing a sense of joviality into every note. 

Boasting an impressive array of session credits that includes Lana Del Rey's ‘Candy Necklace’, underpinning each track is a deep-seated appreciation for the subtle flourishes and virtuoso displays that set his wonderfully old-timey sound apart. 

Will Worden's session, recorded during his time at Dreamy Draw Festival in Scottsdale, Arizona, will undoubtedly whet fans’ appetites ahead of his upcoming debut record, with the Texan expected to drop the hotly anticipated project later this year. 

Will Worden - 'One Foot Out the Door' | Holler Dreamy Draw Sessions

For more Holler Dreamy Draw Sessions, see below:

Holler Presents Will Worden for the Holler Dreamy Draw Sessions, performing his songs ‘Moonlit’ and ‘One Foot Out the Door’.

Holler Dreamy Draw Session: Will Worden

The fast-emerging, swaggering Texan joins us for his Holler Live Session in balmy Scottsdale, Arizona.

Will Worden - 'Moonlit' | Holler Dreamy Draw Session

Maxim

Contrib - Maxim

Stephen

Artist - Stephen Wilson Jr. - Dreamy Draw 1

Stephen Wilson Jr. - 'Patches' | Holler Dreamy Draw Sessions

If it wasn't already clear, here at Holler, we're diehard fans of Stephen Wilson Jr.

'Søn of Dad', his 2023 debut album, was a heartbreaking tribute and an autobiographical masterpiece. Wrenched from moonkick whiskey nights in Southern Indiana to soundtrack the dissonance of the 2020s, it felt like the sort of kick to the gut you'd be thankful to receive.

So it was only a question of when, not if, Stephen Wilson Jr would join us for his first Holler Live Session. Down in the sultry heat of Scottsdale, Arizona during the inaugural Dreamy Draw Festival, Wilson Jr delivered an intimate yet no less uncompromising performance that we wouldn't quickly forget.

Wilson Jr. introduces his songs with recitals and mantras - before he strums a single note, he mutters the chorus of his opening song like a whisper in the wind; "my patches got patches / and those patches got patches". It's a subtle opening that erupts into a beaten yet brazen celebration of taking on life's hurdles. "Yeah being broke down is how I's built / Hey look over there's another square on the quilt" Wilson Jr commands, his battered and beloved acoustic ringing gutturally under his voice.

"You can call me Billy, but the hills come with me", Wilson Jr. notes calmly, all before letting rip on a gutrot whiskey-soaked bluegrass riff. Knotty and meddling, Wilson Jr. proceeds into a vivid and poetic proclamation of being proud of who you are. "Collard green, cast-iron cornbread, pig on the griddle / out in the back is a soundtrack stacked with a fiddle", he spits, his guitar rattling with venom as he stomps on his trademark blast box. It's bold and striking, much like all of Wilson Jr.'s work.

One of our favourite sessions to date, Stephen Wilson Jr. once again proves why we're so excited about him - and how you should be too.

Stephen Wilson Jr. - 'Billy' | Holler Dreamy Draw Sessions

Holler Presents Stephen Wilson Jr. for the Holler Dreamy Draw Sessions, performing his songs 'Patches' and 'Billy'.

Holler Dreamy Draw Session: Stephen Wilson Jr.

The artist behind Holler's No.1 Album of 2023 joins us for his first Holler Live Session in Scottsdale, Arizona.

Stephen Wilson Jr. - 'Patches' | Holler Dreamy Draw Session

Artist - Nolan Taylor - Dreamy Draw Festival 2023 3

Nolan Taylor - 'Life/Love' | Holler Dreamy Draw Sessions

If this is your first introduction to Nolan Taylor, prepare for a tear or two. 

The Cincinnati songwriter has quickly made a name for himself as one of the most vulnerable lyricists and storytellers in a wave of compelling artists currently coming through the folkier Appalachian scene.

Joining us for his first Holler Live Session in the Arizonian sunshine at Dreamy Draw Festival, Taylor shows just why we've all become so enamoured with him over the last 12 months.

Nolan Taylor - 'Wichita' | Holler Dreamy Draw Sessions

"I wrote it about coming to terms with the end of a relationship" Taylor shares while introducing his first song, the moving 'Life/Love'. A tangled and emotional observation, it encompasses the numbness and insecurity you feel when something that you thought would last comes to end. "Life and love is such a strange thing / I couldn't explain it if i tried" Taylor sings over gently strummed guitar. He offers few answers, but gives a sense of relief that we aren't alone in not having them all.

"This is about losing somebody and not being able to say goodbye to them". While 'Wichita' is no less of a sorrowful song, Taylor's guitar work really comes to the fore here - delivering a melodious major-key to balance the poignancy of his words. "Wichita Kansas Oklahoma / I don't know but I’ve gotta leave these memories now / locked inside an empty home", Taylor sings, seemingly always battling with himself as a song matures from inside.

Taylor closes with '68', the song that introduced us all to his emotionally stirring songwriting. Each time he performs the haunting, aggravated song, it breaks our hearts a little bit more - the story of his relationship with his mother and the events of his childhood becomes more and more ingrained in our minds through simple, vivid lyricism.

While it's a treat to see him perform with a full band live, you can't ignore just how entrancing Nolan Taylor is as a solo performer in a session like this. In such an intimate setting, Taylor is in his element, treasuring the chance to share his story with us all.

Nolan Taylor - '68' | Holler Dreamy Draw Sessions

Holler presents Nolan Taylor for the Holler Dreamy Draw Session, performing his songs 'Life/Love', 'Wichita' and '68'.

Holler Dreamy Draw Session: Nolan Taylor

One of the most captivating new artists to arrive in recent memory, Nolan Taylor joins Holler in Arizona for his Holler Dreamy Draw Session.

Nolan Taylor - '68' Video - Holler Dreamy Draw Session

Artist - American Hustler

American Hustler - 'Hung Buffalo' | Holler Dreamy Draw Sessions

Here at Holler, we're partial to a spoonful of rock n roll in our cup of country.

If the idea of Gram Parsons and Keith Richards jamming in French chateaus also floats your boat, then American Hustler could be your new favourite find. 

Joining us for their Holler Dreamy Draw Session, the duo of Nate Barrett and C.J. May plug in their electric guitars and skulk into something meaty and alluring.

American Hustler - 'Rollin' Stoned' | Holler Dreamy Draw Sessions

"It's about being more hung than a hung buffalo" Nate smirks as the duo slink into the harmonica-led blues of their first track. They're a little cheeky and rambunctious, something that fits the vibe of their music - scratchy, grooving and a little rough around the edges.

"This is the first one we ever released, and it's just about rock n roll" Nate explains as he introduces 'Rollin' Stoned'. Ripping into nifty little dual riffs, there's no hungover stupor in sight - the pair channeling the cool looseness of their inspirations into something snappy and captivating.

"This is about a little trip we took to Nashville last year" Nate confirms, introducing their final track 'The Ville of Nash'. Once again leading off CJ's hazy harmonica, the duo create something sultry and sweltering as they run low on cash with the southern belles and country girls down on broadway. Whether it's a comment on the immorality of Music City is for you to decide.

American Hustler offer something a little more electrified than our traditional stripped-back fare, persuading us to join them on the American highways of hedonistic debauchery. We thoroughly recommend you jump in for the ride.

American Hustler - 'Ville of Nash' | Holler Dreamy Draw Sessions

Holler Presents American Hustler, performing their songs 'Hung Buffalo', 'Rollin' Stoned' and 'Ville of Nash'.

Holler Dreamy Draw Sessions: American Hustler

American Hustler offer something a little more electrified than our traditional stripped-back fare, persuading us to join them on the American highways of hedonistic debauchery. 

American Hustler - 'Hung Buffalo' Video - Holler Dreamy Draw Session

Artist - Logan Halstead Americanafest 5

Logan Halstead - 'Kentucky Sky' | Holler Dreamy Draw Sessions

There's an easy-going aura to West Virginia via Kentucky songwriter Logan Halstead.

Heading to Arizona following a notable appearance at Americanafest in Nashville the week before, Halstead arrives with a mellow charm. Sporting a kaleidoscopic orange shirt, he eases into the weighty, vulnerable songs that made him a household name in the Appalachian scene.

With Kentucky rising artist Ella Webster accompanying him on the fiddle, the pair delve into the tenderness at the heart of Halstead's debut album, 

Logan Halstead - 'Man's Gotta Eat' | Holler Dreamy Draw Sessions

At times, Halstead's lyrics offer pleasantly simple observations. 'Kentucky Sky' wanders between vivid imagery of birds resting on fence posts and daydreams of dancing with the one you love under the setting sun.

The warmth of his words and the gentle strums make you think of home, a suitable consequence considering how much the Appalachian pines inform Halstead's music.

Despite its bouncier tempo here, 'Man's Gotta Eat' is a striking examination of the desolation the opioid epidemic left on large swathes of Appalachia and America.

As the pair bop and sway to their old-timey ode, Halstead sings from the perspective of someone struggling to make ends meet, carefully retelling the state of the human condition and the lengths we'll go when forced to survive.

Perhaps Halstead's most hopeful song, 'Bluefoot', floats beautifully once again between dreams and aspirations and the joys of keeping two feet firmly on the ground.

Under the comforter of Halstead's trembling drawl and Webster's rippling fiddle lines, you're sent to a place of solace and escape.

Logan Halstead - 'Bluefoot' | Holler Dreamy Draw Sessions

Holler presents Logan Halstead for the Holler Dreamy Draw Sessions, performing his songs 'Kentucky Sky', 'Man's Gotta Eat' and 'Bluefoot'.

Holler Dreamy Draw Session: Logan Halstead

An intimate and striking performance from one of Appalachia's finest acts. 

Logan Halstead - 'Kentucky Sky' Video - Holler Dreamy Draw Session

Artist - Corey Harper 2

Corey Harper - 'My Innocence' | Holler Dreamy Draw Sessions

Rising Pacific North West songwriter Corey Harper reflects on lost chances and wrong steps with a forlorn vulnerability in his song. With the raw honesty of his lyricism, Harper offers hope and catharsis, a talent often found in only the most fearless of songwriters.

So, when the opportunity arose to record a session with Harper at Holler Dreamy Draw Sessions, we snapped at the chance to hear such songs live in the warmth of Arizona in November.

A warm, easy-going character, Harper, sporting a sleeveless flannel shirt and Country Night cap, exudes a mellow aura while prepping to perform. But as soon as the lights are down and the cameras click into action, Harper immediately switches gear, proving to be an animated and emotional performer.

Corey Harper - 'Emily's Frown' | Holler Dreamy Draw Sessions

That's clear from the off with 'My Innocence'. A song that battles with changing a life fuelled by loss and misuse, Harper's voice builds in affliction as he grapples in search of answers. Backed only by the picking of minor chords, Harper shows just how substantial the themes of his songs can be, all while remaining catchy and optimistic.

'Emily's Frown', a truly underrated song in Harper's arsenal that deserves to have millions of streams, fits the warmth of the sunny afternoon setting. A selfless and endearing song about helping someone to feel happier, Harper softens into a gentle hum, leaving the chorus lingering in your mind for the rest of the day. It reminds you that you can always help to make someone else's day that little bit better, if you just try.

Corey Harper - 'Pink Razor' | Holler Dreamy Draw Sessions

Harper closes with 'Pink Razor', a standout bedroom lament that loiters on the most minute of memories while studying your own growth. Stripping the song back from it's layered and atmospheric production into it's folky foundations, Harper proves how his self-deprecating thoughts give his songs a wit and cleverness that makes them all the more consoling and compassionate.

Having just kick off a debut-run of headline shows this month, 2024 looks set to be a banner year for Corey Harper. From this performance alone, it's safe to say we'll be right there with him every step of the way.

Holler presents Corey Harper for the Holler Dreamy Draw Sessions, performing his songs 'My Innocence', 'Emily's Frown' and 'Pink Razor'.

Holler Dreamy Draw Sessions: Corey Harper

Harper shares his catchy, vulnerable songs in the sunny, intimate setting of the Holler Dreamy Draw Sessions.

Corey Harper 'Emily's Frown' Video - Holler Dreamy Draw Session

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