The six-song project takes the songwriter away from the dark shadows of his debut album and shows us a little more colour.
Filled with infectious, 70s-kissed sounds and lucid journeys of self-discovery, Pearl Charles' second full-length record is a 10-track trip through heartbreak and fragility - with an added dose of country disco.
Throughout Dangerous, Wallen is supremely comfortable in mythologising his home state of Tennessee, crafting a sepia-tinged view of rural America.
The theory is enticing, but Greenfields is frustratingly a missed opportunity to breathe fresh life into Gibb’s music.
Whether or not this is cathartic for Steve, it’s apt for a record that’s astonishingly good, brutally honest, and simply heart-breaking.
Thomas Mooney captures The Panhandler's debut show at Billy Bob's Texas, October 2020
Filled with infectious, 70s-kissed sounds and lucid journeys of self-discovery, Pearl Charles' second full-length record is a 10-track trip through heartbreak and fragility - with an added dose of country disco.
Whether or not this is cathartic for Steve, it’s apt for a record that’s astonishingly good, brutally honest, and simply heart-breaking.
Whether Evermore is the end of the fourth wave or just its midpoint is a question it seems even Taylor herself doesn’t know the answer to. Nevertheless, we wouldn’t mind staying here a while longer still.
Just knowing this is a Sturgill Simpson album is enough for most, but there's the added bonus that's he creatively let himself off the leash.