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The vast majority of Chris Stapleton's 2023 album, Higher, serves as a heartwarming love letter to his wife, Morgane, with touching ballads such as ‘Loving You On My Mind’, ‘It Takes A Woman’ and ‘Weight Of Your World’ epitomising this mission statement.
However, Stapleton switches gears and flexes his songwriting muscles on ‘The Bottom’, which is a forlorn yet witty ode to the comfort of a whiskey bottle when nursing a broken heart.
Interestingly, although ‘The Bottom’ is one of the more downcast offerings on Higher, the song features a comparatively uptempo beat and melody compared to the rest of the album.
The hook is fuelled by a steady, driving drum rhythm and an arena-ready guitar riff, with the post-chorus solo injecting an additional sense of energy and vigour into this earworm. Stapleton's vocals are at their fiery, ferocious best, with the crooner accentuating the rasp in his voice as he approaches the agonised titular lyric.
“Love is a mystery
It's a tricky thing
It's more than a word
It's more than a ring”
Chris Stapleton begins by reflecting on the enigma that is ‘love’, as he muses that it's far more complex and multi-faceted than a mere four-lettered word or even an engagement ring.
“When the right thing turns to wrong
Turns into a lonesome song
And everybody knows how it goes when it does”
This philosophical introduction paves the way for the heartbroken chorus, with the protagonist's thoughts quickly veering from the quality of love to the consequences of a broken heart.
“The bottle holds the whiskey
The whiskey holds the man
The man holds the bottle when it’s all that’s left
And the left hand lights what the right hand holds
The smoke can’t hide what the heart regrets
Cause the heart holds the memory
And the memory holds the past
And the past holds the woman
At the bottom of the glass
So I don’t have a problem
If I don’t see the bottom”
For the hook, Stapleton cleverly rattles through a chain of events all loosely linked to the idea of ‘holding’ onto something. This kicks off with the protagonist holding his bottle of whiskey. However, he then flips this to underline how, at the same time, the whiskey is the one in control as it has a hold over the man.
Then, the man holds onto a joint, but Stapleton underlines that the high this produces isn't enough to cure his anguish, explaining that his heart can't let go of his ex-lover's memory.
Through a colourful flurry of images, Chris Stapleton warns that these painful feelings and recollections will hit him hardest when he reaches the bottom of this glass of whiskey.
This lays the foundation for the song's despairing, alcohol-drenched punchline, with Stapleton quipping , “So I don't have a problem / If I don't see the bottom”, as he resolves to keep drinking and drinking so he never has to face his loneliness head-on.
“I played it all over
And over in my mind
I’m looking for the reasons
I just can’t find
I wish I knew what I could blame
Without a moment I could name
I don’t have a thing that I recall”
Chris Stapleton confesses that his torment is intensified by the fact that he can't put his finger on what went wrong. Without having something or someone to blame, he has nowhere to direct his frustrations other than at the drink in front of him.
“Whoa the hurt's holding me
And I’m holding on
To a hundred-proof truth
And a hope that’s long gone
So I don’t have a problem
If I don’t see the bottom”
Amidst a sea of uncertainties and self-doubts that continue to swirl around the protagonist's head, his one source of stability and “hundred-proof truth” is his liquor of choice.
Despite earlier references to drinking whiskey, this lyric is a play on the fact that moonshine is infamously described as being ‘100 proof’ due to its high alcohol content.
Towards the end of ‘The Bottom’, Stapleton describes harbouring a “hope that's long gone”, implying that a part of him still fantasises about the two getting back together, despite simultaneously acknowledging the chances of this are slim.
Chris Stapleton has so far remained relatively tight-lipped about the creative process behind ‘The Bottom’, but during a conversation with Kelleigh Bannen for Apple Music, the singer-songwriter shed some light on his general songwriting approach heading into the Higher sessions, “Who knows how many songs I lost under this philosophy, [but] I used to think if I couldn't remember [a song], it wasn't any good. So there would be things like ideas I wouldn't write down or melodies I wouldn't save. And then if I would wake up the next day and I wouldn't remember it, in my mind… it was not a thing. I don't subscribe to that anymore”.
Endearing, Stapleton credits his daughter and budding songwriter, Ada, for inspiring him to test out this new mentality, “My daughter is fooling around with writing songs and she said the exact same thing to me. [She] was like, "No, no, that's not true. If you have something that you think is cool in a moment, just put it down, and… put it in your phone, and it's okay to forget things and then come back to them and go, "Oh, that was cool," and work on them some more. It's okay”.
“Love is a mystery
It's a tricky thing
It's more than a word
It's more than a ring
When the right thing turns to wrong
Turns into a lonesome song
And everybody knows how it goes when it does
The bottle holds the whiskey
The whiskey holds the man
The man holds the bottle when it’s all that’s left
And the left hand lights what the right hand holds
The smoke can’t hide what the heart regrets
Cause the heart holds the memory
And the memory holds the past
And the past holds the woman
At the bottom of the glass
So I don’t have a problem
If I don’t see the bottom
I played it all over
And over in my mind
I’m looking for the reasons
I just can’t find
I wish I knew what I could blame
Without a moment I could name
I don’t have a thing that I recall
The bottle holds the whiskey
The whiskey holds the man
The man holds the bottle when it’s all that’s left
And the left hand lights what the right hand holds
The smoke can’t hide what the heart regrets
Cause the heart holds the memory
And the memory holds the past
And the past holds the woman
At the bottom of the glass
So I don’t have a problem
If I don’t see the bottom
Cause the heart holds the memory
And the memory holds the past
And the past holds the woman
At the bottom of the glass
So I don’t have a problem
If I don’t see the bottom
Whoa the hurt's holding me
And I’m holding on
To a hundred-proof truth
And a hope that’s long gone
So I don’t have a problem
If I don’t see the bottom”
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