After years of trying to live up to the industry’s limited idea of what her music should sound like, Miko Marks is expanding to her full, kaleidoscopic range - more sharp-sighted and grounded in her truth than she’s ever been before.
Can I Take My Hounds to Heaven? is proof that artists like Childers should never be pigeon-holed; they can bring to life anything they set their minds to with flawless execution.
The Man from Waco is a resolute statement about what’s possible when you stick to your guns.
Marcus King channels the Jimi Hendrix Experience, Grand Funk Railroad and Black Sabbath on Young Blood, the South Carolinian’s most polished and boisterous album to date.
With No Regular Dog, Waldon not only eviscerates any established understanding of who she is as an artist, but more importantly as a woman.
Amanda Shires has been waiting to take her throne for too long, but Take It Like A Man is the record that finally confirms her ascension. Long live the Queen. Americana finally has a pop icon it can be proud of.
