10 Country and Americana Artists You Need to Know

It's time for another of our monthly roundups of the 10 Country and Americana Artists You Need to Know.

This month, we've got a 15-year-old singer and guitarist channeling the twang of the '90s neo-traditionalists, the big voiced frontman of a Grammy nominated rock band whose debut solo album is unexpectedly Americana, a self-proclaimed "folk country critter singer" from Mill Valley, CA, and an MTSU graduate who infuses his songwriting with an infectious pop punk energy.

There's all this and more as we dive into another of Holler's monthly roundups of our latest loves; a who's who of the most exciting prospects leaving their mark on the country and Americana landscape.

Here's Holler's 10 New and Upcoming Country and Americana Artists You Need to Know for November 2025:

At the beginning of October, nestling between Ty Myers and Waylon Wyatt on our weekly playlist of the best new country and Americana songs was one of this year's most precious country gems. If we had our way 'The Wizard' by Meels would have taken up every spot in the Top 10 that week. A disarmingly perky country toe tapper about anxiety and fear that captured the feeling of skipping through tall grass on a sunny Sunday afternoon even though you're deeply paranoid about snakes secretly wriggling around in there.

"Used to think I was a wizard now I’m just his toad," she sings with a voice loosely reminiscent of Iris Dement. "Magic in my hands / Dirt in my toes / Bugs in the trees / Been a while since it snowed."

"'The Wizard' is such an incredibly special song to me," Meels says. "I’ve struggled with obsessive-compulsive disorder since I was a young child. I still reminisce on how it felt to be a kid and have my brain working against me—my mind felt like it was full of millions of tiny fleas, scratching, nagging fleas that I could never tame."

“This song is the release of those childhood feelings in a positive way," she adds. "It’s a fun, upbeat, toe-tapping recounting of having OCD all my life. I really hope it reaches the people who need an escape from their own brain for a few minutes."

Hailing from the small Northern California town of Mill Valley in Marin County, where she still resides, albeit via New York City, with her dachshund, Baltimore, Meels is the nom de plume of Amelia Einhorn. Inspired by everyone from Loretta Lynn, Dolly Parton and Patsy Cline to Paul McCartney and Paul Simon, Billy Joel, John Denver, Johnny Cash and Marty Robbins, Willie Nelson, Joan Baez, Bob Dylan and Linda Ronstadt, she is a country music misfit in the very finest, most traditional sense.

"I could go on forever and ever and ever," she says, adding a few non-musical inspirations to that list. "My personal relationships, redwood trees, forest animals and a good creek."

"I’ve coined the term 'folk-country critter songs' to describe my music when asked," she says. "I’m a lotta folk, a little country, and a critter lover through and through. Growing up in the redwoods and being surrounded by musical energy has influenced me greatly as an artist. I find the majesty of this town’s nature always works its way into my songwriting in one way or another."

'The Wizard' was the follow up to 2024's Tales From a Bird's Bedroom EP, a whimsical indie folk mini album that invited us into Meels' inner world with a set of wonderfully romanticised and evocative coming-of-age vignettes. Next up is 'Willow Song,' released on 14 November, a waltzing country folk song with a music video inspired by John Denver’s performance of 'Garden Song' on The Muppet Show in 1979.

With a daydreamer's attention to detail and an aesthetic that draws from everything she’s ever obsessed over, listening to Meels is so magical it feels like being a stuffed toy sitting on a bedroom floor watching a make-believe folk singer perform a concert on an upturned cardboard box.

You'll be able to spend some time in the magical company of Meels out on tour with Molly Tuttle and Kaitlin Butts this December, before she heads out with Margo Price next year.

"I’ve also recently started a series of filmed live performances in America’s National Parks," she adds as if that wasn't enough. "The first one being in Glacier National Park. Keeping the parks open and protected is something that is really important to me. I grew up with Muir Woods right in my backyard, and I hope through these performances I can raise awareness and direct people to the right organizations to donate and support.

'Willow Song' is out on 14 November

Listen If You Like: Willow Avalon, Sierra Ferrell, Kaitlin Butts

You probably already know Jay Buchanan as the giant voiced frontman for double Grammy nominated rock band Rival Sons, but with a long-awaited debut solo album due out next February consider this an introduction to a completely new artist for you to become deeply acquainted with.

Having recently made his acting debut in the new Bruce Springsteen biopic, Springsteen: Deliver Me from Nowhere, where he appeared as frontman of the Stone Pony house band, his debut solo album finds him powering down the amps a little from his day job and letting the spotlight fall on himself.

Produced by longtime collaborator Dave Cobb and written in the solitude of a windowless underground bunker deep in the Mojave Desert, where he lived simply in the tiny space, powered by a gas generator and writing by firelight at the foot of an abandoned gold mine, Weapons of Beauty is the result of months of reflection and experimentation.

“The silence,” he says, “was both terrifying and liberating. A caterpillar knows when it’s time to get into the cocoon.”

He reappeared from that solitude with the songs for the solo album he'd been promising for years to make, a raw and unabashedly emotional Americana album that finds him dipping his brush in the sonic palettes of everything from Robert Plant and Alison Krauss' collaborative albums to Jeff Buckley's theatrical post-grunge, thundering '70s country rock, Fleetwood Mac and Tumbleweed Connection era Elton John.

“As music continues to be choked out by technology, I wanted to draw pictures in the dirt," Buchanan says about the project. "This approach is right with me and I’ve just come to a point where there is no longer a choice. Weapons Of Beauty is the sound of these plates shifting within me, too loud to ignore. Surprisingly, I’ve never known a vulnerability to feel so empowering.”

The first taste of the album comes with 'Caroline,' a letter written and sent across time to an ex-lover that dives fully into the themes of love, loss and distance that resonate across Weapons of Beauty.

“I suppose that writing about unquenchable grief allows you a kind of permission to pay respect to those deep chasms in your life without wallowing in them,” Buchanan shares of the track. “Putting it in a song lets you buy the ticket and take the ride and then move on.”

As with every song he sings, he sings the hell out of it. Jay Buchanan feels like one of the last of the true romantics of rock n roll and like every great rock star it turns out he has a brilliant country record in him too. In a plot twist we couldn't have seen coming at the top of the year, Jay Buchanan looks set to be Americana's next big superstar.

Weapons of Beauty is released on 6 February 2026 on Sacred Tongue Records via Thirty Tigers

Listen If You Like: Jason Isbell, Chris Stapleton, Brandi Carlile

Growing up in the hills of Albany, Kentucky, on the state line of Kentucky and Tennessee, Colton Bowlin was holding down a full-time job at his grandpa’s feed mill and writing songs at night, when he began to be known around town for writing songs.

"I grew up working in my Grandpa’s feed mill, which shaped a lot of who I am today," he says. "I was always around old timers, who used to tell tall tales and such and those stories inspired a lot of these stories in the songs I write."

Having saved up money from his day job, he booked into a small Kentucky studio to record the 10 tracks that make up Songs from the Holler, his self-funded debut released last year that captured an artist with a story and voice all of his own. It was obvious to anyone that came across the album that we were dealing with a very special songwriter indeed.

Carefully crafting songs by moonlight after a long shift at work, his songs have a raw universality to them, with deeply personal lyrics touching on love, family, faith and finding your way through the world as you change and as the world changes around you. Raised on Merle Haggard, Johnny Paycheck and Conway Twitty with a little rock and blues sprinkled in there, his songs have something of that same small town Kentucky grittiness that you find in Tyler Childers, Sturgill Simpson or more recently Cole Chaney.

"I make music inspired by country greats," he says, but his songs never seem weighed down by that greatness. He takes from them what he needs for his soul and forges it into something just as great. "I'm big into songwriting and storytelling. Without the words there’s no song."

Last month he followed up Songs from the Holler with a stripped down three-song collection, How to Be Me, that captured the sound of a songwriter and a young man navigating life and attempting to understand exactly what the title suggests as he tried to find his way back to himself, picking over the pieces of a breakup and struggling with the weight of regret.

"I actually hadn't even planned to have an EP come out," he says about the three songs he cut in Athens, GA with David Barbe. "We just went into the studio there, and the songs started flowing, and I left with three songs I was super happy with, and excited to release."

Serving as a prelude to an upcoming as yet unannounced full-length album, due next year, the How To Be Me EP gives notice on a generational talent. In a week that sees Tyler Childers hopping across the pond from Kentucky to play a sold out show at the O2 Arena in London, it feels like it's only a matter of time before Colton Bowlin is headlining arenas of his own.

When pushed for his own plans for the future though, he remains characteristically humble.

"Just to keep on trucking and try to make the most of this thing, like I’ve planned to do from the start, and to try to make something of myself," he says. "I've got a new album coming out at the top of the year, produced by David Ferguson that I'm excited to share. I'll be visiting a whole list of new places next year and playing some festivals that I would never have believed I'm playing. Just grateful for all the support. I’m trying to take it all in, stay true to where I came from, and make songs that mean something to people."

How To Be Me EP is out now on State Line Records via Thirty Tigers

Listen If You Like: Tyler Childers, Wyatt Flores, Dylan Gossett

"I call it Dreamy Indie Twang," Hannah Jane Lewis says about her sound. "A little indie, a little country and Americana, but all grounded in storytelling."

Originally hailing from the English county of Surrey, just outside of London, Hannah Jane Lewis was transplanted to Florida when she was 14 and lived in the US for the next eight years, moving to New York and studying at the prestigious NYU Tisch School Of The Arts, whose alumni include Lady Gaga, Timothée Chalamet, Anne Hathaway and Kristen Bell, before returning to the UK to independently follow her pop dreams.

After a string of straight up pop singles between 2016 and 2024, in the Summer of 2025 she changed pace and rerouted with the distinctly more country leaning acoustic pop of 'Cherry Pickin,' the first of three singles that felt unflinchingly true to where she now found herself in life.

Mixing the pastoral country folk of Kacey Musgraves with the soft pop of Clairo and the tongue in cheek, effortlessly cool indie twang of Faye Webster, Hannah Jane Lewis dropped three of the most deliciously dreamy country pop singles of 2025.

"I’m a blend of both sides of the Atlantic," she says laughing. "I feel like I’m from a few different places, which has definitely inspired my indie Americana country sound. Having lived in a place where that’s the music everyone listens to, I’ve picked up a lot of that influence."

"I grew up listening to lots of Fleetwood Mac, Sheryl Crow, The Corrs, Shania Twain, and LeAnn Rimes from my mum's side. But my dad loves soul and disco, so there were lots of different vibes going on! I was — and still am — obsessed with Taylor Swift, so I also grew up on her and John Mayer too… a dicey pair if you’re a Swiftie."

Whether she's serving up playful eye-rolling sass in 'Good Sport' or going deep on the sweetly melancholy 'Navy Blue,' her songs feel like being dipped into a big warm mug of hot chocolate and stirred slowly around, soaking up the sweetness with all the mini marshmallows and whipped cream.

"Every song I write starts with a concept or story idea," she says. "The lyrics are super important to me. That’s why I love writing in Nashville — everyone there is so good at bringing stories to life. My notes app though is a very chaotic place, it is FULL of titles I've collected, thoughts, things I hear people say - makes absolutely no sense to anyone but me — pure chaos, honestly."

With a new EP, Riding In Cars With Boys, coming out at the start of next year, it looks like all that chaos is going to come together at just the right time for Hannah Jane Lewis. This is the kind of gentle, softly soothing country music that makes you feel a little less alone in the world right now.

"I just got back from a month in Nashville writing with some of my favourite people, and honestly, there are so many new songs I can’t wait for people to hear," she tells us. "It feels like there’s a lot coming next year, and I’m just excited to share it all."

'Navy Blue' is out now on Thursdays Child Records

Listen If You Like: Kacey Musgraves, Laci Kaye Booth, Clover County

For some country singers it all just feels like destiny. Looking back, it was always just a matter of time before they broke through and made the big time. There's an easy self-assurance to the way they hold themselves in their songs, as if they were born to sing them. McCoy Moore is one of those artists.

Growing up in Lakeland, Florida, Moore took guitar and singing lessons, and worked on developing his rich creamy baritone along with his songwriting. When the 16-year-old met Luke Combs - himself a rising star at the time - the future two times CMA Entertainer of the Year encouraged Moore to just be himself, work hard and make whatever was going to happen happen by himself.

"Country music was the soundtrack to my life growing up down there, and I feel like you will hear that town all over my music," he says about growing up in Lakeland, Florida. "My family never really listened to anything other than country music. I grew up on artists like George Strait, Alan Jackson, Tim McGraw and Kenny Chesney."

Moving to Nashville at 19, Moore spent the next few years writing songs and perfecting his warm and casual delivery; landing cuts for Shane Profitt, Roman Alexander and Bryce Mauldin among others along the way, before releasing his first single, 'Something To You,' early in 2025.

"My sound is best described as beer drinking, boat, and 'shop fridge radio' country music," he says. "I want to make music for everyday people just like me."

His recently released debut, self-titled EP collects together four of the singles so far along with three new songs and serves as the perfect introduction to his straight-talking, no nonsense, easily relatable country songwriting.

Country music isn't that complicated after all. It's like basketball, all you've got to do is get the ball in the hoop. But what makes it exciting is all the different ways you can score; layups, jump shots, slam dunks, three-pointers. The trick to making country music exciting is finding new and different ways to tell those same everyday stories that people have always turned to country music for, and that's what makes McCoy Moore a baller.

"This EP is the best way to represent my work over the last 5 years I’ve been in Nashville," he says. "I wrote all of these songs, and I think there’s a little something for everybody on this project. The fun, the sexy, the heartbreak, the love, the life, all of it’s covered with these 7 songs."

Currently out on tour with Kip Moore, having recently wrapped an opening run with Chase Rice, he joins HARDY on the COUNTRY! COUNTRY! Tour across North American and will make his European debut at C2C Festival in March.

The McCoy Moore EP is out now via Sony Music Entertainment

Listen If You Like: Old Dominion, Scotty McCreery, Jordan Davis

“There’s really only three real singers in the world,” Dolly Parton once famously said. “Streisand, Ronstadt, and Connie Smith.”

"The rest of us," she added, "are only pretending."

Tyce Delk is definitely not pretending. The second you hear him stretch out and land that opening "Baby" on his debut single, 'Adaline,' he blows every other country singer around out of the water. His voice has a depth and power and an ability to lift a song up and send it somewhere otherworldly that few other singers in modern-day country music have.

Released in mid-July, 'Adaline' surpassed a million streams in under a week.

Rooted deeply in Eastern New Mexico agriculture and tradition, Tyce Delk is a fourth- generation farmer, rancher, and a soulful country storyteller whose artistic identity is shaped by crops and cattle, and the melodies of swing-era music passed down through generations.

"Nearly all of us work together and have the same livelihood out here," he says about his New Mexico lifestyle. "Being around such great people and great values has really shaped me."

"Growing up I listened to a lot of Moe Bandy and Bob Wills, plus all the Aerosmith and Bon Jovi songs," he explains. "My mom was a real big rock fan and my dad didn’t listen to anything that didn’t have a fiddle and a swing to it. So I guess I took some of that into my own sound."

His debut 5-track EP Enough Ain’t Enough, released on 14 November via River House Artists, draws on Delk’s New Mexico roots and the Western Swing and powerhouse rock he was raised on with a set of songs that showcase his rich, emotive voice and his dramatic and soulful take on country rock. He even manages to unwind a little on the rattling honky tonk sawdust kicker 'As Long As It Got You.'

With a number of headline tour dates coming up and dates opening for Hudson Westbrook, it won't be long before that enormous voice is filling venues large enough to accomodate it.

Enough Ain't Enough is released on 14 November on River House Artists

Listen If You Like: Chris Stapleton, Warren Zeiders, Preston Cooper

"Y'allternative, John Deere Green Day, Y’all Out Boy, Blink-182 Step, Kornbread, Mullet for my Valentine."

These are a few of the hilarious ways that Chandler Brown has found to describe his music and the way he throws every single ingredient that takes his fancy into his bubbling musical melting pot.

"It’s country music at the end of the day," he says. "But I’ve played so many different types of music over the years that I pull influence from Midwest Emo, Indie Rock, Pop Punk and Shoegaze and combine it with country to create my own thing."

"I grew up listening to everything from Nirvana and Toby Keith to Lil Wayne and The Beatles," he adds. "In high school I got really into The Strokes, Ryan Adams, and Queens of the Stone Age. College introduced me to a whole new world of music. These days I’m always changing what I listen to just to keep my ears fresh and stay inspired. Listened to a lot of house music and hardcore in 2025. Favorite band over the last 10 years is The Story So Far. Best concert I ever went to was Tame Impala."

It wasn't only his music taste that was all over the map.

"I moved around a lot growing up," he says. "All my extended family is from Kentucky and North Carolina, but I moved around a lot because my dad was active duty Navy and we continued to move around even after he got out. I spent the majority of my childhood in Missouri and South Carolina, but neither place really felt like 'home.'"

He first moved to the Nashville area in 2015 to attend MTSU, where he graduated in 2019 with a degree in Commercial Songwriting and since then he's come to consider Music City the closest thing to a home he's ever had, signing a publishing deal with Warner Chappell Nashville and Devin Dawson’s Warrior Poet Music last year.

Produced by Dawson along with Jacob Durrett, the four singles released so far have set the stage for a lead role for Chandler Brown in country music in 2026. From the screamo country coming-of-age anthem 'Raising My Voice' to the reflective tearjerker 'Stay At Home Dad' and the Morgan Wallen-esque 'I Don't Have A Hometown,' he infuses his country songwriting with an infectious pop punk energy and spirit. If Megan Moroney is the self-appointed Emo Cowgirl then Chandler Brown is an Emo Cowboy in the very realest sense."

"I have a lot of new songs in the tank so I’m excited for 2026," he says with that some infectious energy. "Ready to get back in the studio, hop on the road, and quit playing cover gigs. I spent my entire 20s building a foundation, developing my craft, and dedicating myself to a life in the music industry. I’m turning 30 in a couple weeks, and I feel like my 30s are gonna be off the chain."

'I Don't Have A Hometown' is available now

Listen If You Like: Cameron Whitcomb, Dylan Marlowe, Chase Matthew

Some of country music biggest superstars made the jump to the big time before the rest of us would have even left school. Whether it was 15-year-old Tanya Tucker appearing on the cover of Rolling Stone or Taylor Swift signing her first record deal with Big Machine at the same age, if you want to make it in country music you might as well get going as soon as you're ready to go.

That's proving to be true for 15-year-old singer-songwriter and guitarist Rocco Gorelik, who, having been performing since the age of 11, has already shared the stage with Lainey Wilson, Marcus King and Trey Hensley among others, and made history as the youngest artist to ever play Whiskey Jam.

Hailing from Johns Creek, Georgia, where he still lives, just under an hour northeast of Atlanta, his life isn't the typical life for a burgeoning country music superstar, but there's nothing unusual about his sound.

"Morning schoolwork followed by guitar practice, like scales, licks or solos," he says, taking us through a typical day. "Then I warm up my voice and do some writing before I do vocal exercises. In the evening I’m out playing shows, at the gym or on the tennis court. I’m 15 so I’ve also been practicing driving a lot recently."

Regularly performing across Atlanta and Nashville and channeling the slick, tight twang of '90s neo-traditionalists like Vince Gill and Alan Jackson, as well as contemporaries like Zach Top and Drake Milligan, Rocco Gorelik might not have been born until 2010 but his songs sound like they could have been blasting out of country radio at any point in the last thirty-five years.

A member of the G3 Gibson Generation Group, a two-year mentorship program dedicated to developing the next generation of music creators and encouraging young players to pursue a career in music by providing monthly artist mentors, one-on-one artist relations support, instrument loans and performance opportunities, Rocco Gorelik rams a stick of dynamite underneath his songs with his explosive, intricate guitar licks.

"Since I first picked up the guitar, local venue owners have given me opportunities to perform live at their establishments, allowing me to truly hone my craft," he says. "I’m hoping to be a new voice in traditional country and bring the sound I love to my peers."

'Call Me Lonely' is out now

Listen If You Like: Zach Top, Drake Milligan, Brad Paisley

"I always tell people that if I could write like Cash, sing like Dolly, and look like Stevie Nicks - that would be the dream," says Nashville-born singer Jess Woodland, a self-described "Y'allternative" artist who pulls deep from bluegrass, old-timey country and graveyard folk for her beguiling brand of noirish Americana.

"I was born in Nashville, Tennessee, and grew up on a dirt road right outside of it," she says. "I’ll be honest, while rich with artistry, it was difficult. When a place is so saturated with talent in every corner, it’s hard to feel like you can reach the same bar that’s been set. My family was too poor to live inside the city limits, so I already felt like an outcast. My general 'knowledge' of music isn’t really knowledge at all - it’s all based on feeling, intuition, and influence. I felt two feet tall in the land of giants, to say the least. But I am grateful for where I’m from. I am grateful for the trials it has given me. And though I once thought I wasn’t good enough to be part of the music that comes from Nashville, I find it slowly but surely welcoming me with open arms - with every step closer I dare to take."

Despite feeling like she's finally been welcomed into Nashville's fold, she still maintains her outsider's take on conventional country folk. Her songs tapping into an American romanticism that flits between a bold pluckiness and brooding despair, with an old worldly darkness and an outsider's sense of always looking in on life about them.

"I struggle to tell people where I fit," she admits. "I tend to write darker songs while pairing them with my lighter, folk-rooted voice."

She writes with an almost casual sense of fatalism about humanity, love and loneliness, deeply shaped by chronic illness and depression but softened somehow by a voice that hints at a quiet, unassuming pursuit of joy.

"I grew up singing traditional folk, bluegrass, and classic country anything from 'Wayfaring Stranger' to Patsy Cline," she says about a conventional route to country that ended up being anything but. "I used to sing with pickers all the time at the jamborees I’d go to as a child - you name the song, and they’d know it. That music lives deep in my bones. But so does a lot of ‘60s, ‘70s and ‘80s music: Fleetwood Mac, Don McLean, Jim Croce, Supertramp, and Eddy Grant. My mother and father still have an incredible record collection, and I learned how to work a turntable by age six, going through their library and picking out whatever caught my eye that day. As I grew older, I dove deep into alternative and metal. I’ve been to countless hardcore shows in Nashville and beyond. Metal holds a special place in my heart - and I truly think there’s a huge correlation between metal and folk; they go hand in hand."

With a string of singles releases in 2025, she begins next year by releasing her debut EP. If you've given up on Lana Del Rey ever releasing her country album, then songs like 'The Show' and 'Along for the Ride' will fill that hole and probably be even better than you imagined Stove or Lasso or whatever it's called would have been anyway."

"The songs are a collection of moments from different stages of my life," she says. "I’m proud to be gifting this to others - but mostly, I’m proud to be gifting it to myself. I’ve fought through a lot of self-doubt and invisible pain to be here. Whether it’s heard or not, this has changed my life."

We've got a feeling it's going to definitely get heard and change a few other lives too.

'Along For The Ride' is out now

Listen If You Like: Bella White, Sierra Ferrell, Amanda Shires

Growing up in Chicago, Liam Kazar first started playing guitar and writing songs at just 13, before studying jazz in high school and touring consistently with his and his friends’ bands, including childhood companion Spencer Tweedy, who recently had his own 10 Artists You Need to Know moment with Case Oats.

"The city of Chicago completely shaped me," he says. "From the train to school in the early mornings, straddled between highways with wind chills as low as -30, to beer league softball in the summers at the park down the street, with $5 from my parents for hot dogs. I live in Brooklyn now and also travel around constantly and it only makes me feel more and more like a Chicagoan. I like to say, New York is the best city in the world and Chicago is the best city in America. Pretty sure that’s not true, even to me, but somehow it sums up what Chicago means to me."

Featuring production by Sam Evian, Liam Kazar's sophomore album Pilot Light takes the listener on a truly lovely journey through jazzy indie folk and lush alt-country as Liam Kazar alights at the different stops on the timeline of a relationship ending.

"Pilot Light is a breakup record you can cook to," he says cryptically. "Get back on your feet, turn the stove on, and let’s fry up some rebound pasta. Maybe have an old friend over for dinner. I have had periods of my life with secrecy and privacy but leading into making this record, that all just went away. I think Sam Evian, my dear friend and producer, and I set out to make a really honest record. And part of that was a natural and dry approach, sonically. To me it matches the vulnerability of the songs. Pilot Light is certainly the most honest thing I’ve ever made, even if it’s all a story."

Released via his new label Congrats Records and recorded at Sam Evian’s Flying Cloud Studios in the Catskills and featuring artwork by Alexa Viscius, Pilot Light is technically a solo effort but goes down like a full-band project with contributions from Kazar’s circle of friends: Hannah Cohen and Sima Cunningham on backing vocals, Sean Mullins on drums, and more seasoned players from Liam’s creative network.

Pilot Light is out now on Congrats Records

Listen If You Like:Kevin Morby, Steve Gunn, Tyler Ballgame

Listen to a selection of songs from our 10 Artists You Need To Know on the playlist below.

For more of the monthly editions of Holler's 10 Artists You Need To Know, see below: