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By Maxim Mower
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In December 2024, MacKenzie Porter and her husband, Jake Etheridge, teased an intricate, soulful new track, ‘Happy Ever After You’, with Porter remarking, “I met my husband songwriting but we hadn't written a song together in over 10 years...until now”.
The yearning, bittersweet offering finds Porter and Etheridge stepping into the shoes of two ex-lovers that parted ways long ago, yet still haven't managed to relinquish the hold they have on one another. It's beautifully stripped-back and intimate, and the acoustic, pared-down feel of the track coupled with its heart-wrenching lyrics led to a slew of fellow artists gushing over the initial teaser of ‘Happy Ever After You’.
Luke Combs, for instance, commented, “Hey. This is really damn good”, while Jordan Davis echoed Combs’ sentiments, sharing, “Well damn y’all… this is beautiful”. Ella Langley, RaeLynn, ERNEST, Ashley Cooke and various others also rushed to the comments section of this ‘Happy Ever After You’ demo to plead for an official release.
Endearingly, it seems MacKenzie Porter and Jake Etheridge had no idea ‘Happy Ever After You’ would blow up in the way it has in recent weeks. The full studio version of ’Happy Ever After You’ was officially released on January 10th, 2025, with Porter and Etheridge using the single as the springboard for their new project, ‘Thelma & James’.
What makes ‘Happy Ever After You’ feel particularly enchanting is the fact that it draws equally from MacKenzie Porter's Nashvillian, country-pop songwriting style and Jake Etheridge's sparser, folk-leaning sound. Porter and Etheridge's sleek, stunning harmonies shimmer across a gentle acoustic guitar, with the delicate, bare-bones ambience of the composition mirroring the powerful fragility of the narrative. ‘Happy Ever After You’ is a bold, compelling mission statement from MacKenzie Porter and Jake Etheridge, and we can't wait to hear what they do next.
“I got an old half pack of black Pall Malls
I can smoke em' now won't get no shit at all
I got half a mind to give you a call
But I ain't chasin' after you”
Jake Etheridge kicks off ‘Happy Ever After You’ by portraying one half of the heartbroken tale, with Etheridge forlornly observing how he can smoke the rest of his Pall Mall pack of cigarettes without getting any grief from his partner, because they're no longer together. It's a false sense of freedom, however, as he clearly misses her dearly.
Etheridge continues the symbolic imagery of being incomplete by outlining how he has “half a mind” to call his old flame, before admitting he's far too proud to go running after her.
“Well there's a little more room in my chest of drawers
I got a fist size mark in my bedroom door
I got half a mind or probably more
To cover up this old tattoo”
MacKenzie Porter enters the fray here, with the tone of her verse carrying a similar mood of bittersweet freedom, as she notices that there's more room for her clothes in the chest of drawers, because her ex has taken his. We get the first hint here that the two lead characters’ relationship might have been somewhat toxic, with Porter describing how one of them punched a hole in the bedroom door during an argument. It hopefully goes without saying, but it's worth highlighting the story is fictional and not based on MacKenzie Porter and Jake Etheridge's relationship.
Here, Porter constructs another parallel with Etheridge's opening verse, by confessing she has “half a mind” to cover up an old tattoo, which presumably holds some significance from the couple's relationship. Now, it's a dismal reminder of their separation.
The fact that both voices in this tale continually refer to being in two minds about the break-up emphasises how, deep-down, they long to fall back into one another's arms.
“I got a hole in my heart damn near the size of Texas and I think you left it
I got a picture of you and me circa 2019
Don't know why I kept it
I got a story I tell myself until my face is in the blue
But I got no happy ever after you”
For the hook, Porter and Etheridge harmonise as they lament the sense of emptiness and heartbreak they're each left with, accentuating the anguish of the gaping hole in their heart by depicting it as being as big as the expansive Lone-Star state.
The magic of ‘Happy Ever After You’ is that the two protagonists convey to the listener they still love one another, without explicitly telling them. For instance, the reason why the two ex lovers have kept a photo of their old flame from six years ago - which inspired the cover artwork - is clear, with each character unable to fully let go. Throughout ‘Happy Ever After You’, it feels like we're watching a will-they, won't-they love-story inch towards its conclusion, with the listener desperately willing the duo to drop the facade and realise they're meant to be together.
The titular lyric, ‘I got no happy ever after you’, is a clever play on the phrase ‘Happy Ever After’, with Porter and Etheridge flipping the meaning into a more despondent message about how they haven't found any peace or contentment since their break-up.
“I got a new blue Chevy in my front yard
Under the dogwood where our names are carved
And my pride's parked in that same spot
Guess it'll be there till I move”
Porter again mirrors Etheridge’s perspective by touching on the aforementioned pride of his character in this narrative, using her stoic, newly purchased Chevrolet as a metaphor for the unwavering pride that's preventing them from rekindling the romance. She implies that she knows the only way to find a solution is to ‘move’ the Chevy - i.e. relinquish their pride - but they nonetheless struggle to get to this point. There is stark juxtaposition between the tension of the break-up and the rose-tinted memories of their time together, with the truck being sat beneath an old tree in which the couple carved their names, as an indication of their plan to stay in love forever. This suggestion of permanence gives their impending reunion a feeling of inevitability.
“I got them words you said still ringin' out
"I love you babe, but it's too late now"
I got memories walkin' round this house
That just won't turn me loose”
As we're lulled into a false sense of security about the couple getting back together, we get a heartbreaking twist in the tale, as Etheridge implies that his old flame declared that she loves him - and perhaps always will - but that “it's too late now”. He goes on to lament how he can't outrun the ghosts of their relationship haunting him throughout their house, with the story being left in a sort of limbo. Will they clear the dam and let the water pass under the bridge, or will they remain adrift?
When MacKenzie Porter uploaded the first teaser of ‘Happy Ever After You’, she explained how she crossed paths with Jake Etheridge during a songwriting session, but that they hadn't joined forces musically for more than a decade, “I met my husband songwriting but we hadn’t written a song together in over 10 years.. till now”.
On the day of its long-awaited release, Porter expressed her gratitude to fans for their enthusiasm regarding their new venture, “#happyeverafteryou is officially out now!!! Thank you for caring about this song. We love you guys!!”. Etheridge took to the comments of the initial ‘Happy Ever After You’ to share his appreciation, “hey everybody. wanted to say, thank you so much for listening. seriously”.
Heartwarmingly, Porter has stressed how big an impact the virality of ‘Happy Ever After You’ has had on the husband-and-wife duo, “Yall changed our lives already with one lil song”.
“I got an old half pack of black Pall Malls
I can smoke em' now won't get no shit at all
I got half a mind to give you a call
But I ain't chasin' after you
-
Well there's a little more room in my chest of drawers
I got a fist size mark in my bedroom door
I got half a mind or probably more
To cover up this old tattoo
-
I got a hole in my heart damn near the size of Texas and I think you left it
I got a picture of you and me circa 2019
Don't know why I kept it
I got a story I tell myself until my face is in the blue
But I got no happy ever after you
-
I got a new blue Chevy in my front yard
Under the dogwood where our names are carved
And my pride's parked in that same spot
Guess it'll be there till I move
-
I got them words you said still ringin' out
"I love you babe, but it's too late now"
I got memories walkin' round this house
That just won't turn me loose
-
I got a hole in my heart damn near the size of Texas and I think you left it
I got a picture of you and me circa 2019
Don't know why I kept it
I got a story I tell myself until my face is in the blue
But I got no happy ever after you
-
I got a hole in my heart damn near the size of Texas and you know you left it
I got a picture of you and me circa 2019
Don't know why I kept it
I got a story I tell myself until my face is in the blue
But I got no happy ever after you”
For more on MacKenzie Porter, see below: