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Over the course of her Sex Hysteria rollout, Jessie Murph has leant into the comparisons she's often drawn with Priscilla Presley, opting for big hair and a 1960's-inspired aesthetic.
‘1965’ finds Jessie Murph doubling down on the nostalgic ambience that permeates the record - at least lyrically, if not sonically. It opens with a mock commercial snippet claiming, “Studies are now saying that cigarettes are recommended and women belong in the kitchen”. Murph yearns to be alive during the 1960's, depicting a rose-tinted, playful image of what her relationship would look like.
Throughout much of Sex Hysteria, Jessie Murph demonstrates her ability to flit between genres seamlessly, with trap and neo-R&B seemingly the preferred flavour for the record. However, on ‘1965’, the Alabama prodigy explores a more retro-inspired sound, mirroring the wistful, old-timey theme of the narrative.
There are still the seismic 808s, but the composition is much sparser, with the introduction of pining - and slightly electronic - strings giving this an orchestral feel. Murph's vocals are on point, with the ‘Blue Strips’ hitmaker lacing emotion into every lyric. The outro is given a vocal effect that sounds like an old gramophone recording.
Her tone is satirical throughout, with Murph once again stepping into the shoes of the conflicted lover stuck in a highly toxic affair. She confesses how much she'd love to just spend the evening reading with her partner rather than scrolling on social media, and her partner would send her letters rather than booty calls.
However, Murph contrasts this longing with jarring asides acknowledging how, in reality, being a woman in ‘1965’ was less-than-ideal, in lyrics such as “And I would be twenty and it’d be acceptable / For you to be forty and that is fucked up I know” and “I might get a little slap slap / But you wouldn’t hit me on snapchat”.
Rather than literally wanting to live in 1965, Murph is showcasing through this track how toxic her relationship is. Such is the extent to which her problematic boyfriend has mistreated her, she is fantasising about living in a world where she might get “a slap slap” and she can't watch her favourite movie, Dirty Dancing, simply because there would be far more stability than she currently feels in her romance.
She often concludes verses by simply swearing at her partner (“But at least you wouldn’t drive off before I get in the fucking door / You fucking fuck fuck you”) highlighting how, at the heart of ‘1965’, Murph is simply expressing her frustration at her lover, rather than attempting to minimise the struggles of women in the ‘60s.
“My hair is high, coke is cheap, it’s a great time to be alive
Studies are now saying that cigarettes are recommended and women belong in the kitchen
-
We’d go to church on a Sunday
Wake up on Monday
You’d go to work and I’d stay home and sing and do fun things
-
I might get a little slap slap
But you wouldn’t hit me on snapchat
Don’t fucking text me at 2am saying where you at at
Boy fuck you
-
You’d hand-write me letters
When you went away
You’d make me feel better
You’d know what to say
And maybe you’d still be a ho
But if you cheated
Hell, I wouldn’t know
-
I want you to love me
Like it’s 1965
I want you to want me
I think I’d give up a few rights
If you would just love me like it’s 1965
-
You’d show up at the door with flowers and ask me
What I am doing an hour half past three
We’d go to diners and movies and such
We’d just hold hands and I’d love every touch
And I would be twenty and it’d be acceptable
For you to be forty and that is fucked up I know
But at least you wouldn’t drive off before I get in the fucking door
You fucking fuck fuck you
-
I want you to love me
Like it’s 1965
I want you to want me
I think I’d give up a few rights
If you would just love me like it’s 1965
-
I guess Bud Light didn’t exist
Fuck and I guess movies didn’t exist
Maybe they did
I’m not sure about that timeline but
I’m sure about you are mine and I am yours
And Dirty Dancing wasn’t a thing yet
I love that movie fuck
But oh
We could read a lot of books”
For more on Jessie Murph, see below: