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Given that Breland grew up surrounded by gospel music — thanks to his minister parents — it would make sense that his career might trend in that direction. But instead he's developed a country sound that integrates elements of trap, hip-hop R&B and soul. Critics call it "country-trap", but Breland calls it "cross country".
After growing up in New Jersey, Breland attended Georgetown University, where he performed in an a cappella group and worked on writing his own music. He moved to Atlanta after graduating and learned how to engineer, sharing the tracks he produced on social media.
Those platforms helped Breland amass a following and a serious number of streams, all of which led to a record deal with Bad Realm Records/Atlantic Records.
In 2020, Breland released two EPs, Breland and Rage & Sorrow. His sound has garnered support from major country artists. Breland partnered with Mickey Guyton for his single 'Cross Country' and with Keith Urban on his single 'Throw It Back'.
Kane Brown leads the star-studded list with four nominations, including Video of the Year, Male Video of the Year and CMT Performance of the Year. Co-host Kelsea Ballerini, Mickey Guyton and first-time nominees BRELAND and Cody Johnson all have three nominations apiece.
The country-trap superstar sits down with Holler to reveal all.
The video for the song, which features on Urban’s The Speed of Now Part 1, also sees Chic’s Nile Rodgers make an appearance.
“I got roots here,” RVSHVD refers to the roots described in his songs, “but to be a Black man doing it, it's different."
It’s clear that for the young singer-songwriter Tiera, optimism is one of her strong suits - and it’s what makes much of her budding song catalog so undeniably intoxicating.
Gabby Barrett won Female Video of the Year while Kane Brown won Male Video of the Year.
Following the US Supreme Court's unprecedented decision to overturn Roe v Wade, country music stars express their outrage, sharing statements of compassion, hope and allyship for all affected.
A meditation on duality, self-reflection and embracing flaws, Masquerades sees the Tenille Townes sonically painting with a noticeably darker palette.