Saby Reyes-Kulkarni has been covering music across a variety of styles and platforms since 2002. Based in Western New York State, he sees himself more as a curator than a critic and prefers that you view his music commentary not as gospel truth, but as a signpost to your own opinion.
After working within a standard country template for his first two albums, Steve Earle embraced hard rock with his third effort Copperhead Road, kicking off the doggedly nonconformist streak that’s defined his career ever since.
A double-album’s worth of 70s recordings never intended for public consumption, Buried Loot is a treasure trove of lost outlaw country classics.
With Hell on Church Street, the Punch Brothers once again re-imagine bluegrass as more than just a revivalist art form - even as they recreate a 1983 album from genre legend Tony Rice.
As they move into a stage where they can no longer define themselves according to what they oppose, Lost Dog Street Band are starting to make the most lifelike music of their career.
My Morning Jacket certainly make a resolute statement with this new album, i.e: “we’re back”. Of course, coming as it does from a group so averse to explosive displays, it's the kind of measured statement one needs to lean-in to discern.
Wilco come home to their alt-country roots - sort of - with a surprise double album of intimate group performances steeped in reflections on America.
With Paint This Town, Old Crow Medicine Show remind us how we’re better off facing our past, without toning down the celebration in their music.
As Wise River shows, the Kitchen Dwellers have preserved their sense of youthful experimentation.
Lately will likely challenge listeners looking for more of what Lilly Hiatt’s last two albums offered, but her music remains as unabashedly approachable as ever.
All the members of the Po' Ramblin' Boys carry themselves with a like-minded mix of casual attitude and a musical sure-footedness that never wavers. It’s this combination that gives Never Slow Down its accessibility and charm.
Though Southern Harmony was followed by The Black Crowes’ slow descent from mainstream visibility, it marked the beginning of a vibrant creative streak that still resounds beautifully this many years later.
On her third studio full-length, Elles Bailey sounds exceedingly comfortable crafting a bar-friendly blend of country, rock and blues - with such remarkable fluency that the listener feels as at home in the music as she sounds playing it.
Spanning the breadth of Doc Watson’s career, this new box set offers a thorough —if disjointed —overview of one of the most important country/bluegrass figures of the 20th-century.
Listening to Almost Proud, you might think effortlessness is something that comes along with age.
With his sophomore effort, Harrison Whitford fleshes out the hushed, contemplative sound he introduced on his solo debut and emerges as a producer with a unique vision.
The Texan master’s first album in a decade alternates between the large-ensemble jazz of his childhood and the stripped-down twang that’s long been his signature.